Bruissements
Murmurs
Rebecca Bowring
Eleonora Calvelli
François Jonquet
Katya Lesiv
Ulf Lundin
Natalie Malisse
Margot Wallard
Biennale de la Photographie de Mulhouse
5 juin
5 juillet
2026
Murmurs
Rebecca Bowring
Eleonora Calvelli
François Jonquet
Katya Lesiv
Ulf Lundin
Natalie Malisse
Margot Wallard
Biennale de la Photographie de Mulhouse
5 juin
5 juillet
2026
The exhibition venue is located in what is commonly called a skyscraper: the Tour de l’Europe in Mulhouse. This 1970s apartment belongs to a couple of collectors. It features a living room, two bedrooms, and a kitchen where only a portion of the backsplash remains. Everything else is empty. Yet, stories occupy the space. Bruissements (Murmurs) uses this location as a starting point to reflect on domestic space, the bonds woven within it, and to gather narratives like sediments of the intimate.
For a year, Ulf Lundin (Sweden) spied on a young family using a telephoto lens, drawing us into their privacy while exposing the specificities of this social unit. Meanwhile, François Jonquet (France) recounts his own family life from the inside out across the years—a journey beautiful in its ordinariness. Margot Wallard (France) speaks of transgenerational stories, delving into her grandmother’s life in Algeria, which so deeply infuses her own that it drove her to retrace those steps in Oran. A Ukrainian exile in Finland, Katya Lesiv (Ukraine) evokes the thwarted desire to return, to "come home"—akin to returning to oneself when circumstances, such as war, stand in the way. Eleonora Calvelli draws us into the mysteries of televised intimacy, that of reality shows, where bodies hide and reveal themselves under the immodest lens of the cameras. Natalie Malisse tells the story of quite a different house: that of her childhood, marked by abuse. This echoes the work of Rebecca Bowring, for whom the domestic space became, for a time, a place of confinement.
Through diverse approaches—at times documentary, at times conceptual—these seven projects explore the connections shaped by the domestic, understood as a space of intimacy. Space as an enclosure, the circumference of a set of human relations generally related to the family structure, with its affections and traumas, its violences and its solidarities.
The opening will take place on Saturday 6th June at 10am
The exhibition will remain open till the 5th July.
La KunstTurm,
Tour de l’Europe (14e étage)
3 Boulevard de l'Europe
68100 Mulhouse
For a year, Ulf Lundin (Sweden) spied on a young family using a telephoto lens, drawing us into their privacy while exposing the specificities of this social unit. Meanwhile, François Jonquet (France) recounts his own family life from the inside out across the years—a journey beautiful in its ordinariness. Margot Wallard (France) speaks of transgenerational stories, delving into her grandmother’s life in Algeria, which so deeply infuses her own that it drove her to retrace those steps in Oran. A Ukrainian exile in Finland, Katya Lesiv (Ukraine) evokes the thwarted desire to return, to "come home"—akin to returning to oneself when circumstances, such as war, stand in the way. Eleonora Calvelli draws us into the mysteries of televised intimacy, that of reality shows, where bodies hide and reveal themselves under the immodest lens of the cameras. Natalie Malisse tells the story of quite a different house: that of her childhood, marked by abuse. This echoes the work of Rebecca Bowring, for whom the domestic space became, for a time, a place of confinement.
Through diverse approaches—at times documentary, at times conceptual—these seven projects explore the connections shaped by the domestic, understood as a space of intimacy. Space as an enclosure, the circumference of a set of human relations generally related to the family structure, with its affections and traumas, its violences and its solidarities.
The opening will take place on Saturday 6th June at 10am
The exhibition will remain open till the 5th July.
La KunstTurm,
Tour de l’Europe (14e étage)
3 Boulevard de l'Europe
68100 Mulhouse
Exhibition
Curation, writing.
Curation, writing.
For Display Only
Diane Hymans
Solarium
Printemps de l’Art Contemporain
Marseille
May 2026
Diane Hymans
Solarium
Printemps de l’Art Contemporain
Marseille
May 2026
For Display Only brings together works developed by Diane Hymans around the staging of everyday objects and iconographic fragments. The artist became interested in skittles games preserved in social history museums (the MUCEM and the Musée de la Vie Bourguignonne), taking as a starting point the figure of Lin Kessler, a collector and woodturner.
The spatial arrangement of these images, in dialogue with the Aménagements series, reflects on the act of exhibiting objects whose original function has been altered through their museification.
The opening will take place on Thursday, May 14 at 6pm at Solarium, 40 Boulevard de la Liberté, Marseille. The exhibition will then be open from May 15 to May 22, from 10am to 12:30pm and from 2pm to 6pm.
The spatial arrangement of these images, in dialogue with the Aménagements series, reflects on the act of exhibiting objects whose original function has been altered through their museification.
The opening will take place on Thursday, May 14 at 6pm at Solarium, 40 Boulevard de la Liberté, Marseille. The exhibition will then be open from May 15 to May 22, from 10am to 12:30pm and from 2pm to 6pm.
Exhibition
Curation, writing.
Curation, writing.
Sudario #1 - Ouroboros
The View From Lucania
November 2025
The View From Lucania
November 2025
Sudario is a visual arts magazine dedicated to amplifying voices from and about the Mediterranean. Its mission is to look beyond the seductive surface of the region—to probe its miracles and its curses, its beauty and its unrest. Experimental, sometimes psychedelic, and always engaged in confronting contemporary crises.
French artist Marie Quéau created eighteen plates, conceived as palimpsests in which her images dialogue with the pages of “The Universe of Parapsychology and Esotericism”. Her work is scattered throughout this first issue, a sort of fade-to-black that both separates and connects the projects of sixteen artists: Katerina Angelopoulou, Taysir Batniji, Olgaç Bozalp, Federico Clavarino, Rä di Martino, Karim El Maktafi, Irene Fenara, Maen Hammad, Karim Kal, Yazan Khalili, Stelios Kallinikou, Bojan Mrđenovic, Bandia Ribeira, Sara Sadik, Federica Sasso, Jacques Sorrentini Zibjan.
Curated by Magali Avezou and Stefano Tripodi.
A limited edition of 75 enveloppes with one image by Marie Queau is available. Printed by Paolo Nava Studio (Milan).
French artist Marie Quéau created eighteen plates, conceived as palimpsests in which her images dialogue with the pages of “The Universe of Parapsychology and Esotericism”. Her work is scattered throughout this first issue, a sort of fade-to-black that both separates and connects the projects of sixteen artists: Katerina Angelopoulou, Taysir Batniji, Olgaç Bozalp, Federico Clavarino, Rä di Martino, Karim El Maktafi, Irene Fenara, Maen Hammad, Karim Kal, Yazan Khalili, Stelios Kallinikou, Bojan Mrđenovic, Bandia Ribeira, Sara Sadik, Federica Sasso, Jacques Sorrentini Zibjan.
Curated by Magali Avezou and Stefano Tripodi.
A limited edition of 75 enveloppes with one image by Marie Queau is available. Printed by Paolo Nava Studio (Milan).
Magazine
Research, Curation, Edition, writing.
Research, Curation, Edition, writing.
Sensitive Books.
Publishing, an Alternative Practice of Research Writing
ICCARE - CNRS
Centre de la vieille charité - Marseille
October 2025
Publishing, an Alternative Practice of Research Writing
ICCARE - CNRS
Centre de la vieille charité - Marseille
October 2025
As part of the Cultural and Creative Industries Research Program (PEPR ICCARE) at the Centre de la Vieille Charité in Marseille, Livres sensibles proposed to collect and bring into dialogue the contents exchanged during these days through the creation of a fanzine. A collective and creative narrative around the theme of Care.
In collaboration with Laurence Bizien (ENSA Nantes) et l’Atelier du Palais (Arles).
In collaboration with Laurence Bizien (ENSA Nantes) et l’Atelier du Palais (Arles).
Worksho
Publication, Education.
Publication, Education.
Assemblage #2
Eblouissement / Glare
July 2025
Eblouissement / Glare
July 2025
Assemblage is an invitation to explore a word in seven references.
Newsletter
Curation.
Curation.
